Mu-kwang volunteers to be a kitchen police of Sa-taek, the divisional commander, dreaming of success. One day, Mu-kwang meets Su-ryeon by chance, who is a young and beautiful wife of the commander. Soon, he feels a strong attraction by her.

A woman searches for clues that led to the murder of her scientist husband whom was experimenting with a possible AIDS vaccine.

The film consists largely of a series of interviews with female filmmakers from several different countries and filmmaking eras. Some, such as Agnès Varda and Catherine Breillat (both from France), have been making films for decades in a conscious effort to provide an alternative to the male filmmaking model; others, such as Moufida Tlatli (Tunisia) and Carine Adler (England), are relative newcomers to directing, and their approaches seem more personal and less political. The film as a whole manages to cover some important topics in the feminist debate about film -- how does one construct a female gaze, how can one film nude bodies without objectifying the actors (of either sex), what constitutes a strong female role -- while also making it clear that “women’s film” comprises as many different approaches to filmmaking as there are female filmmakers.

Stir Crazy is a situation comedy aired in the United States on CBS as part of its 1985 fall lineup. Stir Crazy was based on the hit 1980 film of the same name. The theme song was "Stir It Up" by Patti LaBelle.

When Littlefoot grandfather falls ill, The dinosaurs only way to cure him is a flower in the forbidding land of mist which hold unexpecting perils and danger.

Bun-Yi is sold to a bar for her widowed mother and young sister. There, she meets Dal-Jung and through his arrangement, she gets married into the rural rich Choi family as the wife of the youngest son. She lives as if she were housemaid looking after her mentally deficient husband Young-Ku, parents-in-law, and sister-in-law, and gives birth to a precious son. But she is driven out of the house because of mother-in-law and sister-in-law's evil plot. Going around from restaurants to restaurants, she becomes a owner of a restaurant and lives helping the poor children. Later, she comes to meet Young-Ku working as a shoe shining man in Busan. Mother-in-law and sister-in-law regret their faults in past and Bun-Yi regains their old house. Thus, all of them return to their hometown and live a happy life.

Bun-Yi is sold to a bar for her widowed mother and young sister. There, she meets Dal-Jung and through his arrangement, she gets married into the rural rich Choi family as the wife of the youngest son. She lives as if she were housemaid looking after her mentally deficient husband Young-Ku, parents-in-law, and sister-in-law, and gives birth to a precious son. But she is driven out of the house because of mother-in-law and sister-in-law's evil plot. Going around from restaurants to restaurants, she becomes a owner of a restaurant and lives helping the poor children. Later, she comes to meet Young-Ku working as a shoe shining man in Busan. Mother-in-law and sister-in-law regret their faults in past and Bun-Yi regains their old house. Thus, all of them return to their hometown and live a happy life.

A young Chinese-American cop unravels after accidentally shooting an innocent African-American man through a wall.

Barry is a drug-addled, abusive bastard who - after yet another bender - is abducted by aliens. Barry takes a backseat as an alien visitor assumes control of his body and takes it for a joyride through Cape Town. What follows is an onslaught of drugs, sex, and violence as our alien tourist enters the weird and wonderful world of humankind.

"My Nappy Roots" explores the politics, culture and history of African American hair. Is there such a thing as "Good and Bad" hair? How has the Eurocentric ideal of beauty influenced black hair through modern history? "My Nappy Roots" will vibrantly depict some of the complex social, political and cultural influences that have dominated the dialogue surrounding African and African American hairstyles from styling patterns and cultural trends to the business of black hair care products, services and advertising. The film will use the evolution of black hairstyles as a touchstone to address the broader struggle of African American people in their search for social control, identity and economic independence.